Scene changes are usually performed in the dark, but Riley’s choice to make the various members of the household staffs do the duty, with a hats off to gender-bending casting, was great fun. Knowing the challenges of local theatre budgets, I totally get it, but when you see a character in the same clothes over what is obviously a period of days or weeks, it gets noticeable. What was there was well done – there just weren’t enough of them. I’ll give a pass to the costumes by Amy Rawe Weimer. Brandon’s use of just four set pieces, moved around the stage to suggest various rooms, is quite clever. With Justin Thilman’s lighting and Laurie Brandon’s clever set, the action plays nicely. Riley’s choice of music for the dances, a contemporary soundtrack by Hozier, was perfect. Purnell Hargrove and Theresa Olson weaved the dances to the story line expertly. Melissa McGinley (remember that name), and her assistants J. The addition of the dance sequences is especially innovative. With only a few exceptions, the pacing is well done, especially considering the length of this play. Toss in their various nefarious reasons for the havoc they wreck on other people’s lives and you have the tale of what it can cost to treat the rest of the world as if you’re the center of it.Įrin Riley has made some risky and brave choices with her take on this play good thing, because they all pay off. With the hots for each other, but purely in a tit for tat sort of way. The other a Vicomte with an appetite for sexual conquests with no regard for the consequences. Two people with no apparent moral compass, one a beautiful and conniving Marquise. Photo by Chris Aldridge, CMAldridgePhotography. How fortunate that Baltimore audiences get to see this fascinating glimpse into the intrigue of French society at Spots.
Dangerous liaisons broadway tickets movie#
They’re in for a delightful dose of both at Audrey Herman’s Spotlighters Theatre with Les Liaisons Dangereuses ( Dangerous Liaisons), directed by Erin Riley.īased on the 1782 novel by Pierre Chodorlos de Laclos, Christopher Hampton’s adaptation has been a hit since it premiered at Stratford-upon-Avon in 1985, moved to Broadway in 1987, was made into a movie in 1988 and went on to yet another run on Broadway. And even more who enjoy a night out watching a great play. In the meantime, those of us up for a more refined tale of sex and manipulation than the current election news cycle allows can see Les Liaisons Dangereuses through January at the Donmar Warehouse in New York City.There are a lot of folks who are thoroughly enjoy a good period drama. So, Trump has at least the first part of that character description down pat however, it’s doubtful any of us should wait for the “redeems himself” part. Or, if you’re thinking of 1999’s Cruel Intentions, the top-notch teen retelling, then you’ll know that Sebastian Valmont (Ryan Phillippe) is a privileged New Yorker who has problems with women but falls in love with young, virtuous Cecile (Reese Witherspoon) and (spoiler alert) becomes a better man just before he’s tragically hit by a car and killed. Those familiar with the play (or the 1988 film starring John Malkovich and Glenn Close) will recall that Valmont starts out as someone who uses his power and privilege to use and seduce women, but later redeems himself. “ We decided against it because it seemed like a cheap shot, and we thought we’d let the parallels speak for themselves,” Hampton said.
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Speaking to The Hollywood Reporter at the premiere party last night, playwright Christopher Hampton said that the production was considering adding lines to the description of roguish Valmont (Schreiber) that would hat tip to a certain sex- and power-loving presidential candidate.
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It’s based on a French novel from 1782, and while its twisted tale of love, sex, power, privilege, and manipulation is eternal, there is something about this particular cultural moment that really struck its cast and creators. The new revival of 1985’s Les Liaisons Dangereuses, starring Liev Schreiber and Janet McTeer, officially opened last night on Broadway. Photo: Presley Ann/Patrick McMullan via Getty Image
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Liev Schreiber and Janet McTeer at the premiere party for Les Liaisons Dangereuses